Bumperpodcast #453 – Season 3 – Oil & Water

Natty Bumpercar: so i have an idea i have several ideas but only one idea that really pertains to you guys at this moment and so what i've been doing is listen i've been listening to so many podcasts like upwards of four five podcasts and um not all the way through i have to say that just partially um because who has the time honestly uh i would understand it if you if you are about to turn this one off you ever no one has time no one has time to listen to things to bibble babble to jibber jabber no so i i had i had an idea and my idea was um i just before you say your idea

Aloysious J. Pig: uh i just wanted you to know that the uh listening numbers have come in and uh it won't Don't be an issue because it looks like everybody gave up on this podcast because you stopped making it. So it kind of makes a little bit of sense. So right now you're just talking into the void. You're talking into the ether. You're talking into, I don't know, like somewhere where no one is. The, the, the, Mari, Marin, what is it? Marinara? I think it's Marinara. Mariana, right? Not Marin, yeah. No. Mariana Trench.

Rufus T. Rufus: Is it, did we decide here? No, this is Rufus. T. Rufus. And did we actually decide on if it's Marinara Trench? Now, hold on a second. I believe the Marinara Trench is when you make a pot of spaghetti and you just family style, you put it down the middle of the table. Oh. Hold that paschetti. And then you come along.

Natty Bumpercar: Rufus, are you saying paschetti? Because I, the first time I think you actually said spaghetti, which I appreciate. But then the second time you, you just went on with paschetti. Paschetti.

Producer: Yeah. Right? Yes. Paschetti. But Natalie, it's me, producer, and ye, I heard it as well. I was going to, you know, I, I like to mark things on notepads so that at the end of the episode, if I'm, you know, if I have to go back in and, you know, edit anything or whatever, but I, I wrote in there this exact time stamp that these men said, a paschetti like that, you know?

Natty Bumpercar: Yeah. Okay. Thank you very much, producer. Wow. You, your accent got a little bit, what's happening today? This is, this is very strange. You got, you got, you got very, I would say Italian, but I don't really know. I don't, you know, accents are weird to me. Everything kind of sounds dissimilar. Oh.

Aloysious J. Pig: Oh, you Sophie. Fancy. Yo, look at me. I'm Natty Bumpercar. I got so much wit. I got so much, uh, like whatever, but, uh, I gotta say, paschetti, Rufus, you sound like, you know, like you're a three-year-old or seven, uh, three-year-old or seven. Not, not four, not five, not six. You're either a three-year-old or you're seven. And, and that's who I understand is it's in their, their language. It's in what they say. They say paschetti, like that.

Producer: I wanted to thank you, Aloysius, for, because everybody who is saying the paschetti, they're really going into the microphone and they're saying it very loud. So they're getting that, that, that, that noise, that pop noise that you get because we don't have a pop, uh, uh, uh, barrier anymore, like a pop screen. And so I do appreciate, uh, if everyone else could follow Aloysius. Aloysius. Aloysius, hey, sample, and then we, it'll make everybody happy because, you know, I agree that no one is probably listening at this point anymore, but if they were, uh, we just want to give them a high quality, uh, uh, uh, uh, uh, product to, did I just do it? Yeah. Oh, man. Okay. This is very difficult. It's very difficult.

Rufus T. Rufus: I was listening to my, my headphones here. Do you know we used to call headphones cans? Like that. We said, what? I can't hear you through the cans. That's when we were back on the radio long time ago, long, long time ago for you, uh, Piggy Lou before you even born. Now here's the thing. I think what we got to do until we get ourselves a, uh, a pop God is, uh, just avoid any words that might be, uh, associated or, uh, integrated or, uh, reverberated, uh, through the, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh. the microphone with the issues that are associated with not having a pop filter.

Aloysious J. Pig: Okay. Yeah, that works for me. It's going to be very difficult because we don't have a script like some of these odd casts. I mean, that has a P at the beginning but I didn't want to say it. So now, that's all I'm thinking about now. Hold on. You're good.

Unknown: Do you hear this? Pig, I think that there's some music happening. Do you think there's going to be a song?

Producer: There could be. Drop the beat, pretty please. Oh. Okay.

Aloysious J. Pig: Sounds like we're doing something. Let's go. Ready? I'm rolling. Riding. Sitting. Poseidon. Looking for Poseidon. Okay, that's rhymed. I'm chasing. You're hiding. I'm barely even trying. So clean off your face. You're in last place. The geese. The gaggle. The geese will never haggle. A wiggle. A waggle. Alright, I'm

Rufus T. Rufus: jumping in here. I don't know if you're just like, out of practice. If you forgot how to do this. Or what the problem is right now. Can you cut that music? Can you cut it off, please?

Producer: Producer, I'm talking to you. Yeah, sorry about that. I didn't know if you were like, doing part of this song. You know, like a spoken word kind of thing where you come in and you're like, Mr. Top Guy or whatever. You know, I noticed that you were not paying attention to the music or the beat or anything that was said before, so I was guessing that you weren't doing that, but… Yes, yes. Sorry, sorry, sorry. It's okay.

Natty Bumpercar: Wow. I mean, you just cut it. It wasn't even like, we're gonna fade it out or anything. It was just like, and gone. Music just gone. It's fine. I'm sorry. It's fine.

Producer: I just thought I was supposed to do it. The lawyer man here, Rufus D. Rufus, says, you got to get rid of the music. You're not doing a great job. I just pushed the button and it's gone. It's fine. It's just my job. It's just my life. It's just my dream.

Aloysious J. Pig: But that's fine. That's fine. Listen, producer, it is okay. I don't want anybody to get worried. I don't want anybody to get worked up. Alright? Everything's good. Everything's fine. We made a terrible song. And that's gonna happen. We haven't made a song in a long time, and the one we just did was terrible. And that's, again, it's okay. We're gonna move on. Probably. Do we have anything else planned for this episode? Was that it? I don't know.

Natty Bumpercar: No, we didn't even plan for that. Come on. It's okay. Everybody calm down.

Rufus T. Rufus: Now, I'm starting to wonder if this is why we hadn't recorded a bumper podcast in a long time. Maybe we just don't gel anymore. Maybe we're like oil and water. There's several. Now, you can be the water, and then we can be different kinds of oil. Myself, I think I'm gonna be an avocado oil. Uh, Aloysius, what are you thinking over there? What are your thoughts?

Aloysious J. Pig: Well, you know, it's a good point. Oil and water. Yeah, he is absolutely water over there. Uh, your avocado. I'm gonna, you know, I wanna stay away from seed oils, because as I understand, those are out of uh, out of vogue at the moment. Is there anything like a… I know they do milk, but is there like a an almond oil? Or a soil? Oh, soy oil? Soil! Let's start that business! Is there such a thing as soy oil? Can we start soil? What'd you cook your food in? I cooked it in soil! There we go! Ho-ho! Million dollar plan!

Producer: Yeah, I don't really want to be, uh, oil, necessarily, but, here's a thing I could be, is, um, I could be uh, butter, maybe? You know, just, it tastes good, you can still cook in it, it doesn't have as high of a um, burned temperature, as the other ones, and especially the avocado oil, you know, you can really get that pan hot. Uh, soil, I don't, I'm not too overly familiar with, um… We? Yeah, we're gonna… Are we determining if that's a real thing, or… Yeah, I think

Natty Bumpercar: we should get an intern for the podcast, because a lot of the shows that I was watching or listening to, whatever you do, um, they had people off to the side who were actually like, um, they would say stuff, and then the people over on the side would look it up, and so, like, you know, they're sitting here like how you're just talking about soy oil, soil, they would be able to just, like, put it up in front of you, so you would know right then if, if it was actually a real thing or something that could be done, as opposed to how we seem to do it, which is, something is mentioned, we have no idea if it's valid or if it's real, and then we're supposed to remember the next week, uh, what we said, and to have actually looked it up, and how many times has that actually happened, and do you think we can count it on one hand?

Aloysious J. Pig: Oh, here we go, here we go, here we go, count it on one hand, very, very, very, very insensitive, Natty, I don't have hands, I've got little hooves, look, look, look at me, look at me, little hooves, alright, and, and producer, why don't you jump in here? Oh, hey, come on, man, I didn't mean

Producer: that. Yeah, but it wasn't necessary, you're like, you could have said anything really, but now you're just like, oh, hey, frog, why don't you jump into the conversation, I mean, like, what are we doing, are we just going around the room now, and and, and, and, and

Rufus T. Rufus: picking things out, I guess? Oh, so now you, so I don't, I'm not trying to, uh, I don't want to say P-I-L-E, pile on, but you, uh, producer just did the, the, the P, the pop thing, so I guess it's, it's gotten everybody, and I also wanted to point out that, uh, Aloysius, if you, and, uh, if you, producer, want to have a meeting after, uh, this session, um, then we could maybe come up, uh, draw up some diagrams, draw up some, uh, I don't know, little, you know, good old-fashioned litigation to, uh, address the situation which I myself just saw, I myself was hurt by, I myself was quite offended by. I'm not sure, if I actually feel safe

Natty Bumpercar: in this place of work. What? Really? You don't feel safe? Okay. You know what? I don't even remember who it was at this point who said, like, oh, maybe we all, it's oil and, it was you, wasn't it, Rufus? Oil and water. Yeah, that's it. I'm water. Maybe this is why we haven't recorded the podcast in a long time because, because it's, it's hard. It's walking on eggshells. It's walking on, walking on broken glass.

Aloysious J. Pig: Oh, that was, actually, that was a pretty good pull in the middle of everything. That was good. Good job to

Rufus T. Rufus: your brain, one point bumper car's brain. Now, yeah, I can see why you're giving them compliments. You know, I understand the creative process, but now I gotta deal with the legal paper probably from that. I got, I got, I got people breathing down my necks. I got letters in my mailbox filling up. I can't even close my mailbox, which means all of my catalogs are getting wet and musty and moldy. And I, you know, I can't even look at that. I don't even, what is the summer fair this year? I don't know, because I can't look at it. All right? So, now Natty, that's what you got me in. You got me in the situation where you're talking about hands, and we're talking about jump right in. And now, I gotta deal with the legalese of this whole, this whole, this whole, conflagration.

Producer: I'm actually okay with the whole thing, now that I think about it. It was a, it was a, it was an accident. I'm good. Oh, I'm glad you're good. Pig, are you good? No! Oil and water! The Bumper Podcast is an oftentimes hilarious weekly romp with Natty Bumpercar and some of his pals. It is family-friendly, clean, and ridiculous. Thanks a bundle for listening. If you love our show and you'd like to help support the podcast, check out our Patreon page at https colon forward slash forward slash www.patreon.com forward slash Natty Bumpercar. Also, pretty please subscribe wherever you get your podcasts. Share it with everyone everywhere, post about it on all of the social medias, or leave a rating and review. The Bumper Podcast is produced at headquarters in Coffee Can Alley. It's recorded, mixed, and produced by a producer. The Bumper Podcast features contributions from Aloysius J. Pig, Rufus T. Rufus, Doodle Poodle, Robot, Trunks, and a gaggle of other silly rascals. Our head talker is probably Natty Bumpercar. We also have an absurd newsletter. Check it out and subscribe at nattybumpercar.com slash subscribe. Also, you can follow me on Instagram and Twitter at nattybumpercar. Hugs and hearts. See you soon.